Skrevet af: Jeppe Bro Pedersen
Abstract
This study is based on an key interest in the meaning of the word minimalism, the use of the word minimalism in literature, an finally the study asks the curious question; “Why is the word minimalism used in so many contexts with a disregard of a clear definition by the user?”
This study first examines the meaning of the word minimalism and secondly explores literary minimalism found in works by Raymond Carver and Øystein Lønn. The study uses this examination to define the meaning of the word minimalism and armed with a clear definition, the study investigates literary minimalism and any tendencies that are characteristic of literary minimalism. An analysis is then conducted on selected works by Raymond Carver and Øystein Lønn to explore minimalistic aspects of the two writers, illustrated by a detailed examination of four different short stories, two from each writer. Finally the analysis use conclusions from each examination to compare the works and writing style of Raymond Carver and Øystein Lønn.
The study overall concludes, that the strength of minimalism as a writing style, is the extent to which it is able to include the reader in the story. The lack of communication is assumed and a theme in minimalistic literature, and therefore the study concludes, that it is a paramount for minimalist writers to build a close relationship with the reader. Without this close relationship, the story will not succeed. With this in mind, the study furthermore draws conclusions to whether or not it is reasonable that Øystein Lønn is called Norway’s answer to Raymond Carver.
The study concludes with a perspective on the effect that impressionism have on minimalism. [Læs mere…]


(6 votes, average: 4,83 out of 5)